Quirkyromcom has strong language, teen drinking, sex. Read Common Sense Media's The Kissing Booth review, age rating, and parents guide.
Movie Review You can’t help you who love. Or so they say. But is that really true? Take Elle and Lee, for instance. They’re best friends … thanks to their mothers, who were also the best of friends. On top of that, Elle and Lee were born on the same day. They love to hang out. They love to dance. They’re best friends forever. And they’ve created a list of rules to make sure that fact will never change. Friendship, of course, is their top priority. But sometimes rules can be bent, can’t they? Especially if your lifetime crush is your best friend’s older brother, Noah. Right? But Noah’s off limits. At least until a kissing booth—one that’s disguised as a school fundraiser—changes all the rules. Suddenly, Elle must decide what’s more important friendship or love. Positive Elements Elle and Lee share a sweetly close friendship. And the rule sheet they came up with when they were young has indeed helped their friendship to thrive over the years. For example, Rule 16 says that your best friend should be able to know what’s going on in your life. And both Elle and Lee are equally protective of one another and try to make each other happy. Rule 18 “Always be happy for your bestie’s successes.” A handful of other guys also have protective attitudes toward Elle. That said, she gradually learns to stick up for herself and tries to get a handle on what’s most valuable in her life as well. Elle also tries to encourage Noah to be a better person. And she faithfully stays by her mother’s side when she’s in the hospital. Lee and Noah’s mother emphasizes the importance of forgiveness. She tells Elle that arguments and disagreements are normal and must be resolved. Noah, for his part, apologizes to his brother and those he has hurt. He also mentions that he’s going to see multiple counselors. Someone chases off bullies for his friend. Spiritual Elements Someone jokes about Miley Cyrus becoming a nun. Sexual Content Despite a few positive moments, The Kissing Booth largely revolves around the theme of teens’ physical relationships with each other. At times, it feels as if Elle is practically looking for opportunities to shed her clothes. At a high school party, for instance, she disrobes down to her bra and underwear. After her pants rip in one scene, she dons a very short skirt that reveals her underwear-clad backside. A guy grabs her there, and Noah crudely quips that she was “asking for it.” She also yells, “My boobs are fantastic!” in a family setting. She’s shown on her bed wearing nothing but a towel. At one point, it almost appears as if she’s unclothed. Elle also struts around in a locker room filled with guys wearing just her bra and a skirt. Noah is also shown wearing next to nothing once, and draped in only a towel elsewhere. His chest is visible. In another scene, he appears to be completely naked, sitting on a chair, and the camera shows everything but his genital region. And we’re not done yet. One morning, Elle wakes up in Noah’s bed and thinks they slept together. He informs her that he slept elsewhere. That scene shows her in his shirt and her underwear. Later, while rolling around on the ground together, she touches his covered crotch, which she says was an “accidental groping.” When Elle and Noah finally begin a relationship, they kiss thanks to the kissing booth and make out a lot. They also take off each other’s shirts and then spend the night together. Elle talks about having had sex with him. They wake up outside covered in blankets. Elle is shown buying condoms. We see her on top of Noah, and it looks as though they’re having sex. There are sounds and movements. Elle steals a security tape that has captured video images of her and Noah presumably having sex at school. Though Elle asks herself a lot of questions about her relationship with Noah, in the end she suggests that she’s OK with being just “another one of his conquests.” Elle casually lies to Lee and tells him she was watching porn, and he asks to watch with her. Girls wear bikinis and other revealing outfits, and guys are seen shirtless and in their boxers. The camera zooms in on a guy’s rear end. Lee jokingly says, “Any excuse to cross-dress, and I’m in.” And in one scene, Lee does wear a dress. Two guys have an obvious attraction to each other and dance together. Close-ups show guys and girls kissing including shots that show tongues entangled at the kissing booth. A guy tells a girl not to grind on her love interest’s genitals. A girl talks about getting her first bra and her first period. A guy is called a “perv,” and he texts something inappropriate but we don’t see what it is. A male athlete’s “sports cup” is mentioned. A girl says that kissing gives you cold sores. Other conversations include references to the male and female anatomy. A girl is called a “slut” and a “ho.” Violent Content Noah gets into multiple fist fights. We see him punch a guy in the face several times. Noah is also extremely controlling and aggressive with Elle; at one point he shouts at her and slams his fists in frustration. Lee accuses Noah of hitting Elle though he doesn’t actually do so. Someone dies from cancer. A young boy breaks his leg as a child. Someone falls out of a window. Crude or Profane Language The f-word is used three times, and the s-word more than 10 times. God’s name is misused about half a dozen times. Jesus’ name is misused once. Other profanities include multiple uses of “a–,” “d–k,” “d–mit,” “d–n,” “h—,” “b–ch” and “douche.” Someone exclaims, “Holy crap!” Drug and Alcohol Content High school students attend numerous house and beach parties and drink hard liquor, beer once doing keg stands and shots. No one in the film seems to care that there is a ton of underage drinking going on. Elle gets very drunk at a party. Someone thinks taking an antacid will help a hangover. Other Negative Elements The parents in the film seem to be virtually absent and completely oblivious to their teens’ reckless choices. Elle hides under Noah’s bed at one point after sneaking into his room. Parents’ voices and opinions don’t matter at all, and they’re never around to guide their children or shape their values. At one point, Elle’s dad makes it clear that he doesn’t approve of Noah but tells the young man that it is Elle’s choice. It’s good that he cares about his daughter’s feelings in this one instance, at least, but the rest of the movie makes it seem as if he couldn’t care less and has absolutely no power to speak into Elle’s life or to establish boundaries for her. There’s a lot of lying going on throughout most of the film, especially by Elle. That said, she eventually confesses some things to her father. And Elle will do anything to fit in. Disturbingly, Noah “doesn’t allow” other guys to be anywhere near Elle, even though they’re not even dating. His controlling behavior is normalized throughout the entire film. Girls are rude to one another. Various characters use others for personal gain. Guys and girls sneak around together. A boy sneezes, and mucus flies into a girl’s face. Someone sets off a stink bomb. A boy gets multiple wedgies and is hit in the face with a soccer ball. Conclusion Let’s cut to the chase The Kissing Booth is a disaster on every level. Not only is it a terrible movie artistically currently at 13% on Rotten Tomatoes, it sets an equally terrible example for teens about what constitutes normal adolescent behavior. I’ve seen a lot of movies. But watching this as an adult made me feel very uncomfortable. I didn’t want to see these teenagers taking off their clothes and having sex. I didn’t want to see Elle buying condoms. I didn’t want to see them getting very drunk as if it was the most natural thing in the world. I didn’t want to see Elle’s pseudo-boyfriend treat her like a piece of property. I didn’t want to hear them continually use harsh profanity. Watching this movie also raised a lot of questions for me. Where are the parents throughout this entire film? Why do they seem to have no clue about what’s going on? Why is Elle always taking her clothes off whenever she has the chance? Why is a guy’s sexual harassment dismissed by school officials with a casual detention? And why does no one other than Lee have a problem with how controlling and aggressive Noah is? Like I said The Kissing Booth is a disaster—especially for the target audience Netflix has aimed this TV-14 at. Suffice it to say it’s not appropriate for 14-year-olds … or, really, anyone else, for that matter. Parents, get practical information from a biblical worldview to help guide media decisions for your kids!
TheKissing Booth Review - Kaafi Honest Movie Reviews. Hopping onto the bandwagon of cliche teenage rom-coms is the Netflix Original film 'The Kissing Booth'. Starring Joey King,
“Alright, let’s do this thing! Again!” It’s not always the most encouraging sign for a character to yell this line in a sequel, but here we go again. “The Kissing Booth” is back with a similar premise of troubled young love but with some new twists and a few new characters. Elle Joey King and Lee Joel Courtney have thankfully repaired their tight knit friendship in time for their senior year, until Lee’s girlfriend, Rachel Meganne Young, grows tired of Elle’s constant presence in his life. Elle clings to her best friend for company as long distance begins taking its toll on her relationship with Noah Jacob Elordi, now a newly minted Harvard hunk studying across the country from their idyllic upscale homes and the posh prep school where they met. In the original movie, Elle made Lee choose whether to accept her relationship with his brother, Noah, or reject it and end their friendship. Now, it’s Elle who has to choose whether to follow Lee to their mothers’ alma mater at UC Berkeley or find a school in Boston so she can join Noah. But what’s high school and first love without heaps of drama? Adding to Elle’s worries is Noah’s new college buddy, Chloe Maisie Richardson-Sellers, a statuesque threat who seems to be getting too close to her guy. Back at school, Elle and Lee are once again in charge of the film’s namesake kissing booth, with admittedly much less fanfare this time. Their challenge this year is to find the next hot guy on campus to help them sell tickets, but the suave, singer-guitar player and dancer Marco Taylor Zakhar Perez, like Noah before him, isn’t keen on the idea at first. In some senses, this teen romantic comedy has it all betrayal, jealousy, mean girls, public apologies, a video game-dance competition, a heated Thanksgiving meltdown, both romantic and sad montages set to slow pop songs. You name it. But “The Kissing Booth 2” is also fairly empty, predictable and just downright silly; a movie about cookie cutter characters in contrived situations set in a make-believe world. For some, the film will play like an escapist fantasy, maybe even a nostalgic trip back to when the biggest thing you worried about was where you were going to college in the fall. Other viewers may find its artificial sweetness and simplicity off-putting. It’s just where this movie exists, and it may not be to everyone’s liking. With most of the young cast’s performances hovering around hyperactive levels, the rare appearance of a parental figure like Lee and Noah’s mom Molly Ringwald is a welcome change of pace. King, to her credit, goes all in on the role of a hopeless romantic. Maybe it’s too much at times, like when she swoons over a workout video of Marco that’s accidentally broadcast to the whole school, or when she competes against Marco on the Dance Dance Revolution-like dance game to get him to do a dance contest with her. It’s not necessary to remember every detail of “The Kissing Booth” or know much about the book series by Beth Reekles that inspired the movies, since the sequel begins with a recap to explain some of the tensions already in play. Thankfully, there’s less creepy behavior towards Elle in this sequel. Vince Marcello, who directed and co-wrote “The Kissing Booth 2” with Jay S. Arnold, stuffs about a TV season’s worth of drama into the film’s overblown runtime. Most problems in the story could be resolved with a simple conversation, but of course, the characters are scared to talk things out, so problems repeat themselves until they hit a breaking point. “The Kissing Booth 2” is made up of what it thinks preteens might like in a film about high schoolers, although some outdated references and situations seem a bit out of step with what Gen Z are into. Speaking of which, for the most diverse generation of Americans, “The Kissing Booth 2” still looks homogeneously white except for a few background extras. The two supporting characters of color, Marco and Chloe, are both seen as competition by Elle at different points in the story and it feels a little uncomfortable to see her so threatened by their mere existence. Because there’s an easy explanation for everything in “The Kissing Booth” universe, no grudge or feud gets too serious or lasts too long. The best that I can say for “The Kissing Booth 2” is that it’s largely inoffensive fluff, easy enough to follow even if you haven’t seen the original. Its uncomplicated outlook extends to Anastas N. Michos’ cinematography, where there’s often a faint glow reflecting the warm California sun during the scenes and a chilly grey hovering over those in Boston. You can soak in the movie’s basic premise and overacting just as long as you know this pool’s shallow. Now available on Netflix. Monica Castillo Monica Castillo is a freelance writer and University of Southern California Annenberg graduate film critic fellow. Although she originally went to Boston University for biochemistry and molecular biology before landing in the sociology department, she went on to review films for The Boston Phoenix, WBUR, Dig Boston, The Boston Globe, and co-hosted the podcast “Cinema Fix.” Now playing Film Credits The Kissing Booth 2 2020 Rated NR 130 minutes Latest blog posts about 7 hours ago about 10 hours ago about 10 hours ago 1 day ago Comments
Filmyang diperankan oleh Joey King, Joel Courtney dan Jacob Elordi ini menceritakan tentang persahabatan Elle Evans dan Lee Flynn serta hubungan diam-diam Elle dengan Noah di film pertamanya. The Kissing Booth bahkan berhasil menjadi salah satu film original Netflix yang paling banyak ditonton ulang pada tahun penayangannya.
What I most appreciate about the Kissing Booth rom-com trilogy is that it’s savvy enough to know when to indulge in outlandish adolescent wish-fulfillment and brave enough to depict its teen protagonists as realistically drunk, horny revelers. Based on the book series by Beth Reekles, who was a teenager herself when she imagined what would happen if a spunky video gamer finally grew boobs and ended up seducing the high school bad boy, the films have no compunctions about showcasing underage pleasure. Kids make sex tapes in their high school classrooms, casually down shots without any subsequent preachiness and fall into bed like giddy newlyweds. While sexual realism was commonplace in the classic teen comedies of the 1980s, Netflix’s current revival of the genre mainly features wimps and wieners wishing on a star for a dainty little kiss. Or so I’ve interpreted. I’ve written before about how The Kissing Booth and its sequel, while frivolous overall, are still the rare mainstream films in this day and age that allow their teen heroine Joey King any sexual freedom at all without making her pay with humiliation, slut-shaming or emotional turmoil. Simply put, Elle Evans fucks. The Kissing Booth 3 The Bottom Line Silly teen wish-fulfillment with some bite. Release date Wednesday, Aug. 11 Cast Joey King, Joel Courtney, Jacob Elordi, Molly Ringwald, Taylor Zakhar Perez, Maisie Richardson-Sellers, Meganne Young Director Vince Marcello Screenwriters Vince Marcello, Jay Arnold 1 hour 53 minutes Or, rather, she exclusively fucks her best friend’s brother, Noah Flynn Euphoria’s Jacob Elordi, the motorcycle-riding hunk she’s been dating since her post-pubescent glow-up in the first film. In the franchise’s final chapter, Elle has graduated from a love triangle to a love hexagon that involves her boyfriend, her platonic best friend Lee Joel Courtney, Lee’s new Berkeley friends, the random hot guy who enticed her in the second film and returned for more masochism Taylor Zakhar Perez and her boyfriend’s hot/rich college friend who, for some reason, shows up to cry about her divorcing parents Maisie Richardson-Sellers. Everyone is disappointing everyone else. What happened to “girls just wanna have fun?” If The Kissing Booth 3 stuck with its opening premise and maintained an air of idealistic summer anarchy for the entire story, the film might have been a mindless blast. Elle, Noah and Lee convince the boys’ parents to let them stay at the family beach house one last summer before they all skip off to college. It’s the perfect plan The kids get to play house for a few months, “helping” the Flynns prepare for a sale to beachfront condo developers while they host pool party ragers for weeks on end. As demonstrated by all resort-set special vacation episodes of classic sitcoms or even the one-off summer series Baby-Sitter’s Club books, the summer getaway concept succeeds thanks to carefree novelty and low-stakes misadventures. I wanted no conflict, really, just hangouts and escapades. Sun, beaches, bikinis. But director Vince Marcello somehow ends up turning this breezy summer fantasy into a kitchen sink drama. Elle can’t seem to please anyone not taciturn Noah, who mistakenly thinks she can’t wait to join him at Harvard in the fall; not clingy Lee, who plans to spend every waking minute of this final summer with her despite her other obligations; not her widowed father, who just wants her to get to know his new girlfriend with an open mind; not pretty boy Marco, who still wants to be with her even after she broke his heart months ago. Throw in Elle’s waitressing job, some rehashed jealousy palaver and endless handwringing over college decisions, and you’ve got yourself an overstuffed threequel at least 30 minutes too long. The film sags under the weight of all those storylines until the last five minutes. In addition to its narrative bloat, The Kissing Booth 3 looks like it’s coming apart at the seams. Some green-screened background CGI appears as phony as old-timey painted movie sets, and whether King’s long brunette mane was real or not is immaterial because, no matter what, it looks like a sheitel. The cast knows they’re churning out cloying fluff, though, and they’re clearly having the time of their lives. King, a ham, has more natural onscreen chemistry with goofy Courtney than she does with brooding Elordi, who ascended to dark HBO fare not long after The Kissing Booth originally debuted. King and Courtney’s BFF duo spend their last summer of childhood recementing their fractured relationship by completing a beach bucket list, which has the two actors guzzling down pie, karaoke-ing nostalgic jams, sumo wrestling in fat suits and cosplaying Nintendo characters during a real-life Mario Kart relay. There’s a lot of screeching in this movie. Elle doesn’t connect with other girls her age, preferring to spend all her energy focused on the emotional hair-triggers of the men in her life. She has no idea why she wants to go to Harvard, other than the fact that Noah goes there. We don’t know her goals and neither does she although she’s frequently told she’s brilliant, for some undemonstrated reason. At some point, Elle runs away crying from the Hollywood sign, which is about as hilarious as her motorcycling off into the sunset with Noah on numerous occasions. However, the film does something unexpectedly audacious with its last few moments, making me wonder if there’s at least a little nutrition in cloying fluff. Full credits Cast Joey King, Joel Courtney, Jacob Elordi, Molly Ringwald, Taylor Zakhar Perez, Maisie Richardson-Sellers, Meganne Young Production companies Clearblack Films, Komixx Entertainment, Picture Loom Distribution Netflix Director Vince Marcello Screenwriter Vince Marcello, Jay Arnold Producers Carl Beyer, Darren Cameron, Andrew Cole-Bulgin, Ed Glauser, Vince Marcello, Michele Weisler Executive producers Adam Friedlander, Joey King Director of photography Anastas N. Michos Production designer Iñigo Navarro Music Patrick Kirst Editor Paul Millspaugh 1 hour 53 minutes THR Newsletters Sign up for THR news straight to your inbox every day Subscribe Sign Up
Imagesource: Kissing Booth 2 is a 2020 American teen romantic comedy film directed by Vince Marcello, from a screenplay by Marcello and Jay Arnold. The film is a direct sequel to the 2018 film The Kissing Booth. Based on the novel The Kissing Booth 2: Going the Distance by Beth Reekles, the film stars Joey King(Elle Evans), Joel Courtney (Lee Flyn), Jacob Elordi (Noah
Netflix might be trying to corner the market on big-budget spectacles from some of Hollywood’s hottest names — from the $90 million “Bright” to its multi-picture deal with Adam Sandler and Martin Scorsese’s much-hyped “The Irishman” — but the streaming giant has quietly planted its stake in a less ambitious place romantic comedies. So far this year, Netflix has released six original films that are classified as rom-coms, with at least three more on the way before the year closes out. And it’s on to something here 2017’s “A Christmas Prince” was such a smash hit for the outfit that it has already prepped a holiday sequel. Netflix’s newest hit-in-the-making, “The Kissing Booth,” is kicking up similar attention. Unfortunately, the high school-set rom-com is a sexist and regressive look at relationships that highlights the worst impulses of the genre. Netflix isn’t new to the sub-genre of teen rom-coms, and it has already succeeded with other picks. Later this month, Craig Johnson’s delightful “Alex Strangelove” will arrive on the streaming service, and last month saw the introduction of Olivia Milch’s “Dude,” a female-driven comedy in the vein of other raunchy features like “Bridesmaids” and “Mean Girls.” Films like that are indicative of the outfit locking down yet another piece of Hollywood magic and serving its viewers something they want to see, even if the traditional studio system isn’t giving it to them, but “The Kissing Booth” is a strange blight on that run. The film combines classic narrative tropes of the genre — think a low-budget mishmash of “Pretty in Pink,” “Never Been Kissed,” “Mean Girls,” and “10 Things I Hate About You” — but is also hobbled by a gross understanding of gender dynamics and what makes a healthy relationship. And that’s to say nothing of its approach to depicting sexual harassment, frequent slut-shaming of its leading lady, and attempting to romanticize a “bad boy” love interest who mainly seems interested in getting in physical fights and then loudly mouthing off about his possessive tendencies. Cute, huh? The movie, written and directed by Vince Marello best known for his film versions of stories from the “American Girl” doll franchise, is an adaption of the Beth Reekles novel of the same name, and starts off with a relatively sweet premise. Elle Joey King and Lee Joel Courtney have been best friends since birth, “raised like twins” by their mothers, who also happen to be life-long best friends. One of the moms is even played by Molly Ringwald, to give the film further rom-com bonafides. They’ve been obsessed with Dance Dance Revolution since they were tiny, and while their private high school appears to be a clique-y kind of place, they’ve grown into popular-ish kids who are grounded by their bond. “The Kissing Booth”Netflix The central conflict is a classic one of the genre Elle falls in love with the wrong dude. This dude happens to be Lee’s older brother, Noah Jacob Elordi, who has always been an elusive part of Elle’s life, mainly standing out because of his near-constant tendency to get into physical altercations. That’s not the problem with Noah, though — who, as a high school senior, is cast as a literally leather jacket-wearing, motorcycle-riding jock, all the better to drive home his sex appeal and “bad” reputation. Instead, the issue is that he’s Lee’s brother, and is thus off-limits to Elle. The first act of “The Kissing Booth” plays out in predictable fashion, as Elle wrestles with her growing feelings for Noah as he alluringly teases her, engaging in the kind of push-pull will-they-won’t-they dynamic that’s always been a hallmark of the genre. And yet, even in its earliest moments, “The Kissing Booth” is preoccupied with sexist rhetoric and a willingness to apologize for Noah’s alarming behavior. Elle who, it must be noted, is just charming, thanks to King’s bubbly performance has a lot going for her, including a plucky personality that manages to find all kinds of solutions for weird problems. Early in the film, Elle tears her last pair of school-issued pants, and unable to rustle up any other options, is forced to head off to school wearing a two-year-old skirt too small, but at least part of the dress code. The moment she hits campus, she’s assaulted by catcalls from nearly all of her fellow male students a real “boys will be boys” moment that imagines that all teenage boys are simply unable to do anything beyond scream epithets at pretty girl they’ve known for years, if she’s wearing a short piece of clothing. It gets worse, as Elle is groped by another student, leading Noah to physically assault him predictable. Elle lands in the principal’s office — an awkward enough twist, given she’s the actual victim here — and things only get worse from there. Both Lee again, her best friend and typically a sweet guy and the school’s principal tell Elle that she was “asking for it” by wearing the skirt. It’s a laughably regressive moment, such obviously outdated thinking, but “The Kissing Booth” just keeps plugging along. The parking lot-set fisticuffs helps pave the way for Elle and Noah’s tentative romance, with Noah first brushing off his behavior as springing from a place of familial affection for Elle, while she wonders if it’s a sign that he has deeper feelings for her. Despite this run-of-the-mill and wholly relatable high school romance who has never felt like Elle?, “The Kissing Booth” remains enamored of Noah’s defining characteristics he’s got a seriously violent streak who gets turned on by jealousy and demonstrates some weirdo possessiveness that never abates. This is not an exaggeration. Noah’s affection for getting into fights — often very brutal ones — becomes a large part of the film. Elle even lays down a rule that he can’t fight anymore if he wants them to be together His response “You know, you’re cute when you’re bossy”, and later gets him to admit that his family has struggled to deal with it, even sending him to counseling with no lasting impact. It’s “kinda just how I’m wired,” he muses, and that’s all there is. Later, Lee briefly worries that Noah has hit Elle, a jarring moment in a film marketed as a fluffy rom-com for teens. And Elle constantly acquiesces to him, even when it feels dangerous. On occasion, Noah’s possessiveness comes out in nice ways — like when he stands up to a girl who is being mean to Elle — though even those moments are tempered by his pervasive misogynistic attitude. That girl? She “tasted like Cheetos” anyway, who cares if he was just making out with her. Later, Noah will continue to act as if he was pulled from some manual written by Men’s Rights Activists, opting to apologize to her father when he hurts Elle and even using his big romantic moment to further cut her down, pointing out that he’s going public with his love, standing in front of everyone they know, as if he should be getting points just for being seen with her in public. “The Kissing Booth”Netflix Elle does attempt to assert herself on a few occasions, but even those moments feel designed to further strip of her agency and set her up as a plaything for her perpetually googly-eyed peers. When a painting project goes awry, Elle stumbles into the girls’ bathroom or so she thinks to clean up, taking off her shirt before she realizes she’s actually in the boys’ locker room, surrounded by horny, panting teens. And there’s Noah, screaming at her to cover up, while Elle fires back with a well-earned “You’re not the boss of me, Noah!” It could all end there, but instead, in the next moment, Elle opts to dance around provocatively, still with her shirt off. On one hand, she’s taking control of her own sexuality and body; on the other, she’s doing it entirely to get a rise out of the guy. That’s not true agency, and it’s Noah who is still pulling the strings. “The Kissing Booth” eventually pushes towards a conclusion that could offer Elle the chance to embrace herself instead of the overbearing Noah, sending him off to college after the pair finally profess their love for each other and manage to enjoy their final days together fight-free, to be sure, before going back on it, obsessed with defining Elle only in relation to her boyfriend. After the pair bid a tear-soaked goodbye to each other at the airport, a confident Elle strolls outside to Noah’s motorcycle hers now to embark on a life that may not always include Noah. It’s a believable, satisfying moment, and an unexpected twist on the genre. Maybe Elle can be the hero of her own story for once. And still, as Elle sets off on her own, literally riding off into the sunset by herself, she can only think of one thing “I knew there was a part of me that was always going to belong to Noah Flynn.” In another film, the sentiment would be a romantic one. In “The Kissing Booth,” it feels like a cage. Grade D “The Kissing Booth” is now available to stream on Netflix. Sign Up Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.
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Ratherthan being a coherent film, The Kissing Booth 3 feels like a collection of montages - like all the ideas that hit the cutting room floor in previous teen movies were jam-packed into this one.
TRAILER 243 CLIP 142 CLIP 325 Play all videos What to know The Kissing Booth deploys every rom-com cliché in the book with little care given to achieving any real sentiment. Read critic reviews The Adventures of Barry McKenzie Amanda Knox Murder on Trial in Italy Subscription The Kissing Booth videos The Kissing Booth Movie Clip - Noah Fights for Elle CLIP 142 The Kissing Booth Movie Clip - Noah and Elle's First Kiss CLIP 325 The Kissing Booth Trailer 1 TRAILER 243 The Kissing Booth Photos Movie Info A high school student finds herself face-to-face with her long-term crush when she signs up to run a kissing booth at the spring carnival. Rating TV14 Genre Romance, Comedy Original Language English Director Vince Marcello Producer Michele Weisler, Andrew Cole-Bulgin, Ed Glauser Writer Vince Marcello Release Date Streaming May 11, 2018 Runtime 1h 45m Production Co Komixx Entertainment Aspect Ratio Scope Cast & Crew Critic Reviews for The Kissing Booth Audience Reviews for The Kissing Booth There are no featured reviews for The Kissing Booth because the movie has not released yet . See Movies in Theaters
OnRotten Tomatoes, The Kissing Booth has a 15% rating. Meanwhile, sequels The Kissing Booth 2 and The Kissing Booth 3 have ratings of 27% and 25% respectively. The films also helped catapult Joey King ( The Act, Bullet Train) and Jacob Elordi ( Euphoria, Deep Water) into superstardom.
Despitethe Criticism, Joey King Will "Never Regret" the "Kissing Booth" Movies. 4 August, 2022. by eden arielle gordon. Getty / Axelle/Bauer-Griffin. Joey King is opening up about her
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